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Visual techniques for creating depth in web design

Create it easier than you think. The mystery of simulating reality on a 2D screen is creating depth with images. This can be achieved in many ways, from the photo itself to splitting the image into layers, manipulating and applying special effects.
Layering is a tool that can be intentionally applied to the placement of images and objects in a project, as a tool for manipulating images or purposefully in the image itself.
We’ve all seen markup where images are haphazardly placed on top of each other to make it look like a stack of printed photos. You know this technique. And it works by creating a sense of depth, and it feels like you’re going through photos. This is the layering in the design process. Sometimes the effect is obvious, as in this case, and sometimes it is more hidden.

Often many photos merge into one to create two separate parts of the image – foreground and background. Being well done, the effect is virtually invisible. Look at the Range Rover website above – both the car and the image of the city are very spectacular and, being combined, make you feel as if you are standing near a car, looking around the city.

Another effective layering tool is to lay out a photo or image over a seemingly flat background. It works fantastically with images and backgrounds with a graded color that are unusually oriented or shot from a different angle.

Finally, some images are created with paging in mind. This photographic technique is based on the idea of using overlapping contours created by different objects in the image to create depth. Often, the contours of an image are highlighted with color and contrast to separate the objects in the scene from each other. This technique can be difficult to perform by Amateur photographers.

PHOTO
One of the most important tools for creating depth in images. Cropping and arrangement of images with constant consideration of depth can make its creation a mere trifle.

But how do you create a photo layout in this way? While many will choose to hire a professional photographer and simply instruct him about depth, this is not always the only alternative. If you are taking pictures for the project, take care of the depth when shooting and remember the following tips.

In the foreground, create an area of visual appeal. Make sure the photo has a subject and background. If you think of them as separate parts, you’ll be able to crop and create an image better.
Change your point. Take a picture from an unexpected angle. This will change the perspective of both the subject and the background, adding visual scope. You can also do this by playing with angles; crop the same image from a comfortable plane and at a wider angle.

Take pictures in portrait orientation. Changing the angle on the vertical, you’ll need a different kaderwet pictures.
Think about natural lines and shadows. Sometimes they add their own sense of depth to the picture. Clear shadows, for example, can give an object a stronger focus while expanding the background.

IMAGE MANIPULATION
Using editing software such as Adobe Photoshop, designers are able to create additional depth in the images with a few simple techniques. This is an excellent choice when working with portraits and other images taken without concern for depth.

The technique is as follows: if there is an object in the foreground, assign blur blur to the background, not applying it only to the object itself. (In photoshop’s Gaussian blur (Gaussian blur), set to a radius of 5.0, works wonders.)

This simple technique focuses the subject of the image, and at the same time creates a sense of depth by removing the background from the visual priority.

THE SHADOW EFFECTS
Shadows are one of the simplest and most natural ways to create a sense of depth and place objects and images. Placement, density, and shadow contour can imply a very specific value. The key point of using shadows is their natural look.

The best shadows are light and follow the principles of light reflection. Make sure that the shadows reflect the feelings of the images that accompany them. If the first thing the user sees is a shadow, then the technique may not work.

Rounded shadows under objects can create a 3D-style soaring effect. This is a common technique applied to buttons and small UI elements. Shadows in front of objects corresponding to their shape enable a flat object to appear as plausible as on the guest’d website. (Did you even notice the shadows before they were mentioned?) Deformed shadows – those that do not display the contours of the object to which they belong – can visually distort the shape of the object or highlight the background image.

Shadows also add a touch of realism to an item or element. Shadows behind the person will help to select it from the background, pushing the object to the foreground of the image. This is a simple technique, but it is very important that the shadows in the image fall opposite to the light sources so that the end result looks natural and unshaven behind the ears.

ILLUSTRATIONS AND OTHER IMAGES
The same concept and manipulations that are effective in images also work for illustrations and images used in design projects. The difference is that you often have to create these effects yourself.

The bright, deep shadow applied above is a great example. The light and dark parts of the background are specifically related to the image, causing it to “push forward” from the rest of the site.

CONCLUSION
Depth is a great tool for creating a sense of realism in design projects. It connects users with what they see on the screen, making them feel part of the landscape.

Even images, from still images to vector UI elements that lack real depth, can be manipulated to add a sense of three-dimensionality to them. Layering, object placement, and shadows are some of the best tools for creating additional depth.

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